Kule ndatshana, uRosa Montero usixwayisa ngokuthi “Ingozi Yokuba Sengqondweni.” Kubonakala sengathi kuyisitatimende esingajwayelekile, esingase senziwe ngumuntu ohlanyayo. Kodwa, njengoba umbhali esho ngokuhlekisa, “wayengakaze ajwayelekile.” Le ndatshana ihlola lokho okubhekwa njengokujwayelekile nalokho okuqondwa ubuhlanya. Izama ukunikeza isikhala ngisho nokubaluleka komqondo ohlanjalazwa kakhulu wobuhlanya. Siyazi ukuthi ochwepheshe abaningi abakhulu besintu bahlushwa izifo zengqondo, futhi ngenxa “yobuhlanya” babo, banegalelo elikhulu ekushintsheni inkambo yomlando wesintu.
Kulezi zingqondo "ezingavamile" kwavela imibono edala kakhulu, futhi ngaphandle kokwenza ukugula kwengqondo kube yinto ethandekayo noma ukukuveza njengento ebalulekile ukuze ube nobuchule , mhlawumbe lezi zingqondo ezihlukile noma eziphambukile ngandlela thile zifanelwe ukunakwa okukhethekile ukuze ziqonde ubuciko kubantu. Ngakho-ke, mhlawumbe "ukuba ojwayelekile akukuhle kangako," yingakho umbhali ekhomba: "Ingozi yokuba nengqondo ephilile."
Isiqubulo
Ukuvikela okujulile kwenani lokuhluka.
Ngokusekelwe kokuhlangenwe nakho kwakhe siqu nokufunda izincwadi eziningi zesayensi yezokusebenza kwengqondo, isayensi yezinzwa, izincwadi kanye nezikhumbuzo zababhali abanekhono abavela emikhakheni ehlukene yokudala, uRosa Montero usinikeza isifundo esithakazelisayo ngezixhumanisi phakathi kokusungula nokungaqini kahle kwengqondo. Futhi lokhu ikwenza ngokwabelana nomfundi ngezinto eziningi ezikhangayo ezimangalisayo mayelana nokuthi ubuchopho bethu busebenza kanjani lapho sidala, sihlukanisa zonke izici ezithonya ubuciko, futhi sizihlanganise phambi kwamehlo omfundi ngenkathi sibhala, njengomseshi olungele ukuxazulula izingcezu ezihlakazekile ze- uphenyo..
I-eseyi nenganekwane kuyahambisana kulokhu kuhlola izixhumanisi phakathi kokusungula nokuhlanya, futhi ngaleyo ndlela umfundi uzozibonela ngokwakhe inqubo yokudala, athole inkolelo-mbono "yesiphepho esiphelele", okungukuthi, ekuqhumeni kokudala kuhlanganisa ndawonye uchungechunge lwezici ezingenakuphindwa, zamakhemikhali nezimo, futhi zizokwabelana ngolwazi lomuntu siqu lokuthi uRosa Montero wayephila kanjani ngokuqondile, futhi iminyaka, esondelene kakhulu nobuhlanya.
Ingozi yokuba nengqondo ehluzekile ikhuluma ngendlela “izinganekwane” ezisinika ngayo isipho, futhi zisenze sikhokhe intengo yaso; abantu abavamile abakhokhi leyo ntengo enzima, kodwa basengozini yokufa ngenxa yokudinwa, esikhundleni sokufa ngenxa yothando. "Njengakho konke, isihluthulelo sisekulinganisweni phakathi kwephesenti lokuhlukana kanye nelokuzwa, ekufinyeleleni ukuvumelana okuthile phakathi komuntu ohluphekayo kanye nomuntu olawulayo," kusho umbhali ngokwakhe.
Mayelana nombhali: Rosa Montero
I-Biography:
Wazalelwa emndenini ophansi, indodakazi ye-banderillero kanye nomama wekhaya. Kusukela esemncane, wabonisa ukuthambekela kwakhe ekubhaleni ngokuqamba inoveli yakhe yokuqala eneminyaka emihlanu. Ngo-1969, wangena eComplutense University of Madrid, ngaleso sikhathi eyaziwa ngokuthi iNyuvesi yaseMadrid. Ekuqaleni, wabhalisa ku-Faculty of Philosophy and Letters ngenhloso yokufunda i-psychology futhi, kamuva, nobuntatheli.
Ngesikhathi eseyunivesithi, ngo-1970, eneminyaka engu-19 ubudala, waqala umsebenzi wakhe njengentatheli, efaka isandla eziteshini zezindaba ezahlukahlukene, okuhlanganisa iPueblo, iFotogramas, kanye nePosible. Naphezu kwenhloso yakhe yokuqala yokufunda ngengqondo, waziyeka lezi zifundo ngemuva kweminyaka emine ukuze aphothule eHigher School of Journalism eMadrid.
Ngesikhathi esifanayo, ngesikhathi eseyunivesithi, wabamba iqhaza ekusebenzisaneni namaqembu eshashalazi azimele afana noCanon noTábano, ngaleyo ndlela ebonisa isithakazelo sakhe nokubamba iqhaza ekuboniseni ubuciko obuhlukahlukene.
Ngo-1988, washada nentatheli uPablo Lizcano. Impilo yakhe yomuntu siqu yaphawulwa usizi olukhulu lapho uLizcano eshona ngo-2009 ngemuva kokugula isikhathi eside. Kuwo wonke umsebenzi wakhe, lo mbhali kanye nentatheli ushiye uphawu lwakhe hhayi nje kuphela emkhakheni wezokuxhumana kodwa nakwezamasiko nezobuciko , evelele ngokuzinikela kwakhe kanye nokuguquguquka kwakhe.
Okushicilelwe nokuqashelwa:
Ushicilele amanoveli athi Crónica del desamor (1979), The Delta function (1981), ngizokuphatha njengendlovukazi (1983), Amado Amo (1988), Temblor (1990), Bella y Oscura (1993), La hija. del caníbal (1997, Primavera Novel Award), The Heart of Tartarus (2001), Owesifazane Ohlanya Endlini (Alfaguara, 2003).
(Ngenkathi i-Book Award ka-2004 yencwadi engcono kakhulu yonyaka , i-Grinzane Cavour Prize ka-2005 kanye ne-Roman Primeur Prize ka-2006, eFrance), i-The Story of the Transparent King (i-Alfaguara, 2005; Ngenkathi i-Book Award ka-2005 yencwadi engcono kakhulu yonyaka, kanye ne-Mandarache Prize ka-2007), Imiyalelo Yokusindisa Umhlaba (i-Alfaguara, 2008; Umklomelo Wabafundi we-Cognac European Literatures Festival, eFrance, 2011), I-Tears in the Rain (2011), I-Tears in the Rain. I-Comic (2011; Umklomelo Wamahlaya Ongcono Kakhulu ka-2011 e-Barcelona International Comic Fair), I-The Ridiculous Idea of Never See You Again (2013; Umklomelo Wabagxeki baseMadrid ka-2014), I-Weight of the Heart (2015), I-The Flesh (i-Alfaguara, 2016), i-The Times of Hatred (2018) kanye ne-Good Luck (i-Alfaguara, 2020).
Ubuye washicilela incwadi yezindaba Abathandi Nezitha (Alfaguara, 1998; Círculo de Críticos de Chile Award 1999), kanye nezindatshana ezimbili zomlando womuntu, i-Historias de mujeres -ephinde yashicilelwa kuhlelo olunezithombe, olubuyekeziwe futhi lwandiswa ngesihloko esithi Nosotras. Izindaba zabesifazane nokunye (i-Alfaguara, i-2018) - ne-Passions (Alfaguara, 2000), kanye nezindaba zezingane, ukuhlanganiswa kwezingxoxo nezindatshana kanye nokubhala noRosa Montero (Alfaguara, 2017).
Kusukela ekupheleni kuka-1976 ubhalele iphephandaba i-El País , lapho ayengumhleli oyinhloko we-Sunday supplement phakathi kuka-1980-1981. Ngaphezu kwalabo abashiwo, unikezwe i-World Prize for Interviews (1978), i- National Journalism Prize yemibiko kanye nezihloko zezincwadi (1980) , i-Madrid Press Association Prize for a lifetime of professional effective (2005), i-International Columnists of the World Prize (2014), i-National Prize for Spanish Literature (2017), i-Legend Prize evela kwi-Madrid Booksellers Association kanye ne-City of Alcalá of Arts and Letters Prize (2019) kanye ne-Cedro Prize (2020).
Uneziqu zobudokotela ezihlonishwayo eNyuvesi yasePuerto Rico futhi umsebenzi wakhe uhunyushelwe ezilimini ezingaphezu kwamashumi amabili.
Ukuhlaziya indaba ethi “Ingozi yokuba nengqondo”
Hlonipha umsangano
Singasho ukuthi le ncwadi izama ukukwazisa ukuhlanya. Lokhu akukhona mayelana nokwenza izifo zengqondo zibe nothando noma ukungena emicabangweni emilingo noma eyinkohliso eshayela ihlombe ukuphazamiseka kwengqondo. Mhlawumbe ivula indlela yokuqonda ifilosofi nesayensi ngobuhlanya.
Emsebenzini wakhe, uMontero uhlola imibuzo mayelana nokuthi ubuhlanya buyini, buyini obujwayelekile nobungavamile, nokuthi buyini ubudlelwano phakathi kwalezi zimo nobuciko.
Mayelana nokujwayelekile
Umbhali usikhumbuza ngomqondo wokuvamile: ngokombono wezibalo, okuvamile yilokho okuvame kakhulu kubantu, okuvame kakhulu . Okungavamile yilokho okungajwayelekile, okubizwa nangokuthi okungajwayelekile. Kodwa okungavamile noma okungajwayelekile akuyona ngempela into embi kakhulu, enephutha, noma iphutha.
Lokhu kuyiphutha elivamile emphakathini jikelele, futhi kubalulekile ukuqala ngokuqonda incazelo yolimi. Igama elithi "okungavamile" alisho "okungajwayelekile ." Leli lokugcina lichaza isici esiphawulekayo somuntu noma ukuziphatha kwakhe, into eqisiwe noma engavamile. Igama elithi "okungavamile," noma "okungavamile," liyigama elinobuningi kuphela, elibhekisela enanini elingaphakathi kwesibalo sabantu: okuncane kakhulu noma okuncane kakhulu.
Ubuhlakani babantu abahlanyayo kanye nokuhlanya kwabo
Ngakolunye uhlangothi, sinomqondo wobuhlanya. Ngokwe-Colloquially, uhlanya luqondwa njengomuntu onenkinga yokuphazamiseka kwengqondo futhi onokuziphatha okuphambuka kokujwayelekile noma okuvame kakhulu. Futhi kuyiqiniso. Khona-ke, abantu abahlanyayo abavamile kakhulu kubantu (noma akunjalo?) ngokwezibalo.
Abantu bavame ukuhlambalaza noma yini ephambukayo kulokho okujwayelekile, noma yini engavamile. Uma bethola okuthile okuhlukile, bakubona njengohlobo oluthile losongo. Yilapho uRosa Montero engenelela khona endabeni yakhe, lapho, ngendlela ehehayo nangokuthinta amahlaya, ezama ukucabanga ukuthi labo ababhekwa "njengabahlanyayo" bangase bangabi ngabahlanyayo kangako, nokuthi labo abanjalo, mhlawumbe bafanelwe indawo emhlabeni. Sonke sikhumbula ongqondongqondo abakhulu besintu abaye bahlushwa ukucindezeleka, ukwesaba, nezinye izifo zengqondo , futhi isintu besiyoba yini ngaphandle kweminikelo yabo emikhulu? Empeleni, "kuningi esingakubonga ngakho 'abahlanya' bomhlaba, abasinike okuningi kangaka."
Ngakho-ke isihloko sombhali sendatshana yakhe, "Ingozi Yokuba Sane": ingqondo elinganiselayo nezolile ngezinye izikhathi ayinazo lezo zindlela "ezikhethekile" zemizwa lapho kuvela khona imibono ehlakaniphile kakhulu neyokudala. Ukusebenzisa isimo sowesifazane ("ukuqonda") kungenxa yokuthi umbhali ngokwakhe uzibiza yena—ngokuhlekisa—njengomuntu “ongajwayelekile kakhulu, ngisho nasebuntwaneni.” Qaphela ukuthi:
- KAFKANgaphezu kokuhlafuna isilwane ngasinye izikhathi ezingu-32, wenza i-gymnastics enqunu evule iwindi phakathi nobusika.
- USocrates Wayehlala egqoke izingubo ezifanayo, ehamba engagqokanga zicathulo futhi edansa yedwa.
- Ukuziqhenya Walala ngelinye ilanga akaphindanga waphuma (nabo benza into efanayo) IValle-Inclán y UJuan Carlo Onetti).
- Agatha Christie Ngabhala kubhavu.
- Rousseau Wayeyi-masochist kanye nombonisi.
- Freud Ngangizesaba izitimela.
- Hitchcock Ngangesaba amaqanda.
- UNapoleon ukwesaba amakati.
- Vincent van Gogh Wahlushwa ukucindezeleka futhi sonke siyazi ngokusikwa kwakhe indlebe okudumile phakathi nenhlekelele yobuciko.
- Virginia Woolf Wahlushwa ukucindezeleka futhi abanye bathi kungenzeka ukuthi wayenesifo sokuphazamiseka kwengqondo okuguquguqukayo.
Futhi uhlu lungaqhubeka...